![]() ![]() If you've tinkered with video editors such as Windows Movie Maker or an app on your phone, you've barely scratched the surface of what's possible with real video-editing software. ![]() All told, this kit would run you about $360 if purchased separately. What's more, CyberLink is bundling a mess of extras including a couple of effects packs, an audio-editing utility and a webinar on creating effective presentations. (Pro tip: Ebates promises an additional 7.5-percent rebate.) That's after applying coupon code CNET30 at checkout. Right now, however, and for a limited time, you can get CyberLink PowerDirector 16 Ultimate for $41.99. The latest version has a list price of $129.99, though you can routinely find it selling in the $70 range. With them, you can merge a messy bunch of video clips into a cohesive and enthralling movie, complete with fancy titles, cool transitions and a soundtrack.ĬyberLink PowerDirector is widely regarded as one of the best Windows video editors around, offering oodles of options and effects wrapped in an approachable interface. And like all skills/arts, it requires the right tools. But editing? That's a skill - some would say an art. Find more great buys on the CNET Deals page and follow the Cheapskate on Facebook and Twitter!Īnyone can shoot video. Questions about the Cheapskate blog? Find the answers on our FAQ page. You can also sample the ambient background noise and add it to areas of silence, so these don’t stick out from the rest.CNET's Cheapskate scours the web for great deals on PCs, phones, gadgets and much more. AudioDirector can also automatically splice up music to fit a given length, so beginning, middle and end still flow smoothly but the length fits exactly. AudioDirector 8 can also import 360 video so that you can edit the soundtrack, but there’s no facility to pan directional audio within the 360 space. Whether grading 2D or 360, the one-click tone adjustment can detect different scenes in a sequence and will adjust the grade separately for each one. You can now grade this in the same way as 2D footage. ColorDirector 6, unsurprisingly, also has support for 360 video. If you purchase the Ultimate Suite, you also get the latest versions of ColorDirector and AudioDirector in the bundle. We found the default parameters need careful tweaking so the volume changes don’t sound too abrupt, but it isn’t hard to achieve good results and this tool saves a lot of time over doing this manually. This is where the volume of a music soundtrack can be set to automatically fill gaps in a speech audio track. No examples were included, but you can readily download some classic looks from third parties.Īlthough CyberLink leaves the most sophisticated audio editing to the separate AudioDirector, the core sound functions in PowerDirector still receive a useful upgrade in the form of audio ducking. Another grading-oriented update is support for Look-Up-Tables (LUTs) in standard 3dl, mga or m3d formats. I found it effective at making clips shot on different cameras look more uniform. You can select two clips and colour correct one so that it matches the other more closely by choosing that clip as the reference. This is something found in dedicated grading tools such as Adobe SpeedGrade, and is extremely useful if you’re shooting the same subject with different cameras or settings. You don’t get any control over how clips are cropped in the final effect, however.Īnother rather high-end addition is colour matching. You simply decide which clip goes where via drag and drop, and whether all will start at once or in sequence. ![]() This includes a selection of presets that can be animated. A collage designer has been added for creating rapid multi-clip opening sequences. There are also plenty of features that aren’t just for 360 footage. They can even have motion tracking applied so they follow something in the frame as it changes relative location within the 360 sphere. But PowerDirector 16 comes with a collection of titles that are designed to work in 360, moving around as the viewer pans. If you use a regular titling tool, these will be 2D graphics placed over the top of the spherical footage, and won’t move when you pan around. You can also output footage with a “Little Planet Effect” where the 360-degree sphere is squished into a 2D frame so it looks like you’re viewing everything from a godlike position above.Ī significant problem when you’re editing 360 video arises when you want to add titles. The video stabilisation can be found in the Action Camera Center, and was effective with footage I took walking through a wood. One of the key new 360 facilities is image stabilisation, because regular 2D tools won’t work with this kind of video format. ![]()
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